Sunday 3 June 2018

Early Man, Solo, Saemundur Thor Helgason and Primecoin

Two weeks later and what’s been happening? Lots of installing, lots of excitement, some new work and a bunch of degree shows to go around and critique. I guess we should begin.

So for the past week I’ve been installing Duty Free, the group show embedded within the Chelsea degree show. It’s been going incredibly well, the structure stands up by itself, holds TVs hanging on the bars and people sitting down on it. All my worries regarding weight are thankfully forgotten. I’ve had some incredible install help from two first years, being incredibly helpful in installing works with me and painting the walls and floor. If only I was so helpful in first year. Here’s a photograph of the space on Wednesday last week, since then all the work has been installed on the walls, with one or two bits to add in the next few days:
I’ve also been slowly prepping the creation of the book, basically sorting everything out to send to print as soon as the exhibition is photographed and edited. In total the accompanying book will be 140 pages, so not too bad in terms of cost, I should be able to make a small amount of money back if they sell well. I’m thoroughly looking forward to seeing it visualised and in print.
My interview with Elliott from Off Site Project was finalised a few days ago, which is great. It was nice to talk to someone about my practice and the themes of the show, something I haven’t done for a little while now. It’ll be up on Curating the Contemporary in the next few weeks, alongside of course in the upcoming book too.

As the week continued and I began counting the works in the show, seeing how much wall space I had and what might fit, I slowly added one or two more works of my own. In total there are five works from me in the show, a fairly extortionate amount but it’s okay because it’s my degree show, maybe? So the structure is officially a piece from me, alongside the new video, the layered aluminium prints, the SIM card holder and a wall based acrylic layered print with Bitcoins, reclaimed from its previous use as a stool in the last exhibition. As long as I’m here, I think I may as well contribute more works, so I have. Here’s a pic of the layered aluminium prints, which do look incredibly crispy, all the other works will be photographed this week:
I’ve also finalised the press release, map and artist bios for the show, spanning three pages, with two as double pages. It’s going to be a lot of printing, and I’m currently considering whether or not to place the releases on the structure or attached to the wall. I guess I’ll decide tomorrow whether to be casual or not.
Once again I had to start again on my video, scrapping everything again as it had become too obvious and so cliched. I have since opted to show the video, with accompanying Primecoin symbol rotating in the corner in contrast to the amorphous blobs, and one concurrent video playing rather than continually changing and chopping from one found footage to another. I think this is the final product, I’m not totally sure how happy I am with it. I’ve called it The News:
What else has happened? I’m currently promoting the show on isthisit?’s Instagram, posting previous artist works as well as personally inviting people to the show. I’m very happy how concise and crispy it’s shaping out to be. There’s also a new online resident on the site, Alex Tobin, and this month there’s unfortunately no new online show as the curator dropped out. How annoying.
I’m continuing to plan issue 5, finally sending out a bunch of emails to involve people in the show. After Friday that will be degree over and I’ll have a lot of time to concentrate on this, as well as getting a job of course, and everything else I’ve been putting off. Hopefully it should be a good list of artists, the open call ended a few days ago and I need to find some time to trawl through the submissions.

Another thing I’m about to undertake is a Google Maps residency with Off Site Project, focusing on all the artists/curators I’ve worked with through isthisit?. It’s called I Doxxed Myself (And Why You Should Too), and will basically involve me emailing (or attempting to email) everyone I’ve ever worked with before, asking them for a bunch of their data/to fill in a form, adding their studio/house to a big Google Map. It should be fun, something I’ll start doing after the 8th. That goes on for two months, how fun.
And I think/hope that’s it in terms of art, it’s mostly been a long week of installing, which has been generally quite fun. Let’s now move onto exhibitions, which I’ve been pretty weak with the past few weeks. I should have gone to a few this weekend, but it’s just so warm and overpowering… Let’s begin with the CSM degree show last week. I always find CSM to be odd, more like a series of showrooms than anything else, alongside the MA being weirdly crap. Generally it just feels like so much crap is always packed in to a small space, even though the building is so huge. Maybe they should focus more on the art than selling retail space to businesses. Anyway, I think I liked three or four works in total, mainly Sid and Jim’s work. Of course, I am super bias as Jim is my brother and Sid is a friend, but there work was the most tongue in cheek, the most aware of itself. It featured mascots for the degree show wandering around, smiling for photos and being ‘off duty’ as well as an information stand full of false news about the various fictional exhibitions around the campus. Very fun, although no real longevity post degree show, but to be honest work from BA students rarely is. It usually ends up in the bin. Anyway, fun and knowing work from them.
Thinking back to over a week ago, I think that might be my only truly memorable piece. Everything else was fine, big screens, terribly sexualised paintings and smashed screens from a painters point of view. All kind of basic and nothing that I truly interacted with. Very odd, perhaps I should have returned post private view? Accompanying picture of work by Gordon Berger whose work I feel fetishizes the screen and comes from a fairly stereotypical view of what a painter thinks of digital art. Just very dull, predictable and not interesting at all.
The Westminster BA show was also fairly weird, although I’ve never been before. Yet again, unsure if I liked anything, aside from a pizza chair by Mary-Anne Henn, fun literally because it was a pizza chair, no concept to speak of.
Robbie Jeffcott had a kind of fun installation with sand and rotting/abused commercial boxes and products. That was kind of nice, although again super cliched.
I went to arebyte for a solo show by Saemundur Thor Helgason titled Fellowship of Citizens. The show was – kind of – launching a lottery of sorts made for Icelandic people, a prototype for a universal basic income system. The show was launching this lottery by presenting a series of works created by someone who had been given a lump sum of money, the first person being given the lottery money, so it wasn’t technically art. The work on show was ‘art’, but I’m unsure how much art was actually occurring. It was very odd but interesting, and a very subtle use of the space too. I think I need to realise that filling a gallery with work isn’t always the best thing to do… I also got a thank you in the credits of the accompanying booklet, as I am friends/working with Saemundur, more bias.
IMT Gallery has an okay solo show on from Maggie Roberts titled Glimmer Breach. It featured a bunch of collages and videos, with the videos mimicking the collages, lots of ‘glitchy’ visuals and unstable speaking. I am ultimately tired of this aesthetic and want it to be gone. ‘Hey look, it’s Google’s Deep Dream used yet again in some Art’
Alongside going to a bunch of shows I went to a panel talk focusing on HereNow Residency at SPACE. It featured a bunch of artists that I’ve worked with in the past and currently, like Laura Yuile and Thomas Yeomans, as well as a few I’d like to work with too like Ilona Sagar. It mostly was focused on what the residency does, as the current open call ends for the next round of artists in July, although I mostly went to check out the speakers who were giving micro talks about their practice. It was fun and fairly informative. I will also now be applying to the residency, as it sounds really nice and a positive boost to any practice. Although I’m assuming I won’t get it due to being fairly young still.
Annd I think that is it for art, let’s move onto films and TV, beginning with Solo: A Star Wars Story. It was a ‘fine’ film, not great, but a fun ‘romp’ through the Star Wars universe. It is starting to feel diluted, although they are still well made films, I think there will be a point where the plots should become deeper rather than continually relying on call backs to the original trilogy. I went to see it at the Barbican, a fun experience on a bank holiday Monday. Blissful.
Early Man was funny and well animated, although I’m unsure whether I’ll still remember it’s plot in a few weeks time. Fun and ‘does the job’, I guess that’s an achievement of sorts. It’s not The Pirates! Band of Misfits, that’s for sure.
Cargo was yet another zombie epidemic film featuring Martin Freeman, as the main character stoically carrying on. Oddly cut and with a small budget, it does the job of satiating your indie zombie film interests, but other films have undergone this narrative in more innovative and interesting ways.
The new Fahrenheit 451 film adaptation of the fantastic book was crap and cut out a lot of main, very important parts in the book. Michael Shannon is great in everything he’s in but he couldn’t hold up this weak adaptation. And to think I was vaguely excited about this…
Please Stand By, a tale of a young autistic woman who love Star Trek, was touching, lovely and uplifting. Yeah, just super nice and ultimately life affirming.
So I only watched half of A Wrinkle in Time and had to stop, as it was just so bad. Terrible acting and a weak plot full of bad CGI. I just couldn’t get on board with its PG tale of loss.
The new Tomb Raider on the other hand was great, a video game adaptation which was actually good; an incredibly rare accomplishment. It was fun, kind of video gamey, and a nice start to a series of films I guess. Very video gamey, although I’d prefer this to Indiana Jones.
That is it for films. I’ve also been indulging in TV, from binge watching the recently released season of Unbreakable Kimmy Schmidt, Arrested Development and Thirteen Reasons Why, with the latter ending in a failed school shooting that was teased throughout the season, and I’m unsure whether this is okay or not…
And that is it for the past two weeks, busy but content. The next week will involve finalising the install for the degree show, which will hopefully be done by Tuesday, as well as sending the book off to be printed. I’ll also try to go to a few shows, begin applying to jobs after Friday and go to some exhibitions. It should hopefully be a nice week.